![]() This means image quality is just as good as you would expect.Ī nice addition to the AMIRA was, since the ALEXA sensor is not true 4K, the ability to record in UHD 4K in ProRes with in-camera upsampling. The AMIRA has the same sensor as the other ALEXAs (except the just-released ALEXA 35). ![]() Right now a kit with the Advanced License will run around ~$15,000. Released four years after the original ALEXA, the AMIRA aimed to be perfect for documentary and handheld work.Ĭonsidering the age, it is impressive how much these are still used and how well they held their value. ![]() It blended image quality, form factor, durability, features, and usability.Īs much as people love ARRI cameras, being easily thrown on a shoulder and being used for projects with tight deadlines was not their forte. That was the advertised tagline of the ARRI AMIRA and made it clear what their intentions were with this release. Whether you knew about the AMIRA when it came out or are just learning about it for the first time now you should go check it out. ![]() This was designed off the same lovely imaging pipeline as the ALEXA with a few tweaks that made it even better for run-and-gun filmmaking and fast turnarounds.Īt least one team thinks the AMIRA deserves another look as the guys at CVP have just put together a new video on the cinema camera. There are many flavors of ALEXA, including the Mini, 35, Classic, etc., but there was one spinoff that deserves a bit more attention: the AMIRA. When we talk about ARRI cameras we almost always talk about the ALEXA. ![]()
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